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Benjamin Moore Through the Looking Glass CSP-495

Through the Looking Glass

Benjamin Moore

CSP-495

About Through the Looking Glass by Benjamin Moore

Brightness: 50.8%

Tone: Neutral

HEX: #c0bcbc

RGB: 192, 188, 188

Hue

Saturation3%

Lightness75%

Similar Colors by Benjamin Moore

These are close matches to Through the Looking Glass from the same brand. They keep a similar look and work well in the same type of rooms.

Frequently asked questions

Quick answers about how Through the Looking Glass looks in real rooms, how it behaves with light, and how it pairs with other shades.

Is Through the Looking Glass CSP-495 a warm or cool color?
Through the Looking Glass by Benjamin Moore is a neutral mid tone color. It will usually read neutral in most homes rather than a sharp pure white.
What type of color is Through the Looking Glass?
Through the Looking Glass sits in the red or pink family. Its hue is about 0°, which keeps it in that range on the color wheel.
What are the color stats for Through the Looking Glass?
Brightness is about 51%. Saturation is around 3%. Lightness (HSL L) is roughly 75%. Hue is close to 0°. The hex value is #c0bcbc. The RGB value is 192, 188, 188.
Is Through the Looking Glass better for dark rooms or bright rooms?
Through the Looking Glass has brightness around 51%. It sits in the middle, so it can work in both darker and brighter rooms if you balance the lighting.
Which colors go with Through the Looking Glass?
You can match Through the Looking Glass with simple whites for trim and ceiling, or with nearby neutrals from the same brand. The similar colors and complementary colors on this page are a good starting point for pairing.
Where does Through the Looking Glass work best in a home?
Through the Looking Glass works well as an accent on one or two walls, in cozy rooms, or in spaces with stronger daylight where a deeper color will not feel heavy.
How does Through the Looking Glass compare to a pure white paint?
Through the Looking Glass is softer than a pure untinted white. The neutral undertone and mid tone color feel more gentle on the eye, so it tends to look calmer and less stark on large walls.

Lighter Shades by Benjamin Moore

These lighter shades sit above Through the Looking Glass in brightness. They give a softer feel without drifting far from the same family.

Darker Shades by Benjamin Moore

These colors drop a bit below Through the Looking Glass in brightness. They can add depth without leaving the same style.

Complementary Colors by Benjamin Moore

These colors sit on the opposite side of the color wheel from Through the Looking Glass. They add contrast without clashing.

Alternate Colors by other brands

These colors from other brands have a similar look to Through the Looking Glass. They are helpful if you switch between brands or match to a contractor’s paint line.